Sometimes, a journey to reconnect can change everything. Just ask Olisa Obi (Chris Okagbue) from the upcoming drama Finding Odera. Olisa is a Nigerian man who sets out on a quest to find his long-lost love. His path takes an unexpected turn, leading him to a life-changing revelation.
Helmed by Charles Uwagbai, the film also stars Charlot Daysh as Aria McDonald, a filmmaker who helps Olisa reunite with his love, only to discover love herself along the way.
Recently, I had the privilege of chatting with Charlot about her role in Finding Odera, what audiences can expect and its resonant themes.
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This interview is edited for clarity.
Charlot Daysh
Melody McCune: We at GGA love a good origin story. How did you get into acting?
Charlot Daysh: I started in theater when I was five years old. That was when I booked my first [role] in a musical. Since then, I have performed with the same [theater] group for almost a decade.
MM: Let’s talk about Finding Odera. Can you tell me what it’s about and how you got involved with the project?
CD: Finding Odera is a heartwarming love story. It explores themes of love, cultural identity and human connection.
Actually, they reached out to me. After the director had seen my YouTube videos, he felt I was a good fit for the part. It was like “a day in the life” or something like that. My character, Aria, who I play in the film — she’s a documentary filmmaker. [The director] asked me if I was interested and sent me the script. I loved it. When that happens, it’s the best thing.
How Finding Odera Stands Out
MM: As you touched on earlier, Finding Odera tackles really powerful themes. What makes this particular film stand out from its contemporaries?
CD: It goes really deep into exploring human connection and what love can drive us to do. It also stands out because it offers valuable lessons and inspiration — it highlights the importance of bravery in going after what you want. Love has no boundaries and no limits. Sometimes, when things don’t turn out the way we hope, they can turn out even better, so embrace the journey life takes us on and the connections that shape our lives.
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MM: What can viewers expect when they watch the film?
CD: This is basically about a man’s unwavering devotion and his journey to reconnect with a lost love that he had when he was a child. He really goes for it, and it takes an unexpected turn. He also learns so much about himself.
MM: Describe Finding Odera using three words.
CD: Cultural, romantic, drama.
MM: Do you share any similarities with your character, Aria?
CD: Aria is very creative. She is really curious and ambitious, and she cares a lot. I think I resonate with all of those things.
MM: Is there a particular scene you shot that you’re excited for viewers to see?
CD: It’s hard to pick one, but one of my favorite scenes is when Olisa, the main character, comforts me after I break up with a boyfriend. He helps Aria reclaim her self-worth and see the situation more clearly. It’s a vulnerable and heartfelt moment that really deepens their trust, connection and understanding of each other.
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On the Horizon
MM: What else is on the horizon for you, career-wise?
CD: I am involved in a project called Noose, The Hangman’s Tale. It’s a period piece. I’m really excited for that to start filming a little later this year. I’m also currently writing my first script, which is exciting.
MM: Congratulations.
CD: Thank you so much.
MM: Have you watched anything interesting lately?
CD: My husband and I love The White Lotus.
MM: Oh, me too. Last one — name your favorite films.
CD: Shawshank Redemption. Forrest Gump. The Sound of Music. Interstellar.
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Thank you, Charlot, for chatting with GGA!
You can follow Charlot on Instagram (@charlotdaysh). Finding Odera hits select Canadian theaters from April 17 through April 23. Be sure to order presale tickets now.
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What I do: I'm GGA's Managing Editor, a Senior Contributor, and Press Coordinator. I manage, contribute, and coordinate. Sometimes all at once. Joking aside, I oversee day-to-day operations for GGA, write, edit, and assess interview opportunities/press events.
Who I am: Before moving to Los Angeles after studying theater in college, I was born and raised in Amish country, Ohio. No, I am not Amish, even if I sometimes sport a modest bonnet.
Bylines in: Tell-Tale TV, Culturess, Sideshow Collectibles, and inkMend on Medium.
Critic: Rotten Tomatoes, CherryPicks, and the Hollywood Creative Alliance.
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